“Les Préludes” by F. Liszt: the Experience of Synaesthetic Analysis
Iarosh OlgaV.
Love story в готическом стиле
Боурн М.
Musical Interests and Priorities of Vladimir Lenin (Modern Vision)
Preisman Emil’M.
NB
Уральская В.
New Directions in Russian Orthodox Church Architecture at the beginning of the Twentieth Century
Craft Brumёeld William
On Some Features of A. Smelkov and Yu. Dimitrin’s Libretto “The Brothers Karamazov”
Voitkevich S.G.
"Open-dance"
Беляевского ф.
Ornamental Characteristics of the Musical Texture (through the example of pianoforte miniatures by A.K. Lyadov)
Shkolina M.S.,Vinokurova N.V.
Pas de bourree on point
Цискаридзе Н.,Аловерт Н.
Principle of Rilleture: One of the Leading Ideas in the Works by Azio Corghi
Gavrilova L.V.
“Requiem” by Giuseppe Verdi and Alessandro Manzoni’s novel “The Betrothed”: Figurative and Dramatic Parallels
Sapsuev AndreyIu.,Svetlana G.
Sonata in Fis-Moll as an Example of the Romantic Style in R. Schuman’s Music
Dobroshinskaia OlgaD.,Maria V.
Sotsiokulturnoe the Content of the Worldview of the Composer, Expressed in Musical Creativity
Bashkevich S.A.
Soviet Worship Cantatas and Oratorios of the Late 1950s – Early 1980s for Children’s Chorus
Perepich N.V.
Speciёcs of Theatrical Concepts of the Creative Method of William Hogarth in His Graphic Series “A Rake’s Progress” and I. Stravinsky’s Opera “The Rake’s Progress”
Iakovleva S.A.
Technologia budowy Autonomicznych Domów Dostępnych(ADD).
Duda Ludomir,Sternowski Jacek
Механизация строительства, 2011, 11, С. 14-14
Terra Ballet
Кикта В.
The Genre of the Minuet in the Works of Maurice Ravel
Bass V.V.
The Image of Chatsky in the Opera “Woe from Wit” by G.I. Banshchikov
Kholodova MariaV.
The musical image of Vajra Guru Mantra in «Sacred Chants of Buddha» album by Craig Pruess
Mosman E.V.