The photographic techniques in the films of Frida and In Bruges convey special meaning in a subliminal way. The deep-focus shots, telephoto lenses, focus-shifting shots, close-up shots, angle, light and color in the two films are taken for examples. The analysis shows how these photograpich techniques affect the tone, tepoms and themes. In the summary, the photography of In Bruges has a close association with the tempo of the story, and the effection of angles and light in Frida reveals the changeable relationship of the protagonists.